Summary: Mississippi during the 1960s: Skeeter, a southern society girl, returns from college determined to become a writer, but turns her friends’ lives–and a small Mississippi town–upside down when she decides to interview the black women who have spent their lives taking care of prominent southern families. Aibileen, Skeeter’s best friend’s housekeeper, is the first to open up—to the dismay of her friends in the tight-knit black community. Despite Skeeter’s life-long friendships hanging in the balance, she and Aibileen continue their collaboration and soon more women come forward to tell their stories—and as it turns out, they have a lot to say. Along the way, unlikely friendships are forged and a new sisterhood emerges, but not before everyone in town has a thing or two to say themselves when they become unwittingly—and unwillingly—caught up in the changing times. (Walt Disney Pictures)
Prepare yourself for an unparalleled sensory experience. Samsara reunites director Ron Fricke and producer Mark Magidson, whose award-winning films Baraka and Chronos were acclaimed for combining visual and musical artistry. Samsara is a Sanskrit word that means “the ever turning wheel of life” and is the point of departure for the filmmakers as they search for the elusive current of interconnection that runs through our lives. Filmed over a period of almost five years and in twenty-five countries, Samsara transports us to sacred grounds, disaster zones, industrial sites, and natural wonders. By dispensing with dialogue and descriptive text, Samsara subverts our expectations of a traditional documentary, instead encouraging our own inner interpretations inspired by images and music that infuses the ancient with the modern. — (C) Oscilloscope
Paul Thomas Anderson’s The Master stars Joaquin Phoenix as a psychologically damaged war veteran who finds himself working for Lancaster Dodd (Philip Seymour Hoffman), a charismatic figure building his own religion. As the alcoholic, self-destructive former soldier becomes more deeply involved with the leader of this cult-like organization, his natural instincts keep him from embracing his new position as strongly as others in the group would hope.
A funny and touching coming-of-age story based on the beloved best-selling novel by Stephen Chbosky, THE PERKS OF BEING A WALLFLOWER is a modern classic that captures the dizzying highs and crushing lows of growing up. Starring Logan Lerman, Emma Watson and Ezra Miller, THE PERKS OF BEING A WALLFLOWER is a moving tale of love, loss, fear and hope–and the unforgettable friends that help us through life.
An official selection at Cannes Film Festival-Un Certain Regard and winner of the Jury Prize, OCTUBRE is a deadpan dark comedy incorporating influences ranging from Jim Jarmusch and Aki Kaurismaki to Robert Bresson.
Summary: Tucked away in one of the Lima’s modest flats lives Clemente, a small time loan shark with a penchant for reckless hookers, grave solitude, money lending and nothing else. Stuck in a shallow routine, Clemente lacks any real emotional connection to anyone. People, in turn, refer to him not by name, but as “the pawnbroker’s son.” Whether it’s a slippery counterfeiter, an amiable thief or a desperate neighbor, Clemente is sensitive only to what their business might bring him. Returning home one day, Clemente quickly realizes that an intruder had visited his home—not to steal from him, but instead to leave him with a little gift. Tucked in a small basket sitting on his bed Clemente finds a newborn baby, the product of one of his frequent liaisons with prostitutes. (New Yorker Films)