CAPTAIN PHILLIPS

Screens at 7PM only (plus 1PM on Sunday). Nominated for 2013 Academy Awards for Best Picture, Best Actor, Best Editing.  Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is – through director Paul Greengrass’s distinctive lens – simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama’s commanding officer, Captain Richard Phillips (two time Academy Award (R)-winner Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips’ unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control. The film is directed by Academy Award (R) nominee Paul Greengrass, from a screenplay by Billy Ray based upon the book, A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea, by Richard Phillips with Stephan Talty. The film is produced by Scott Rudin, Dana Brunetti, and Michael De Luca.(c) Sony

AUGUST: OSAGE COUNTY

*Screens at 7PM only every day, and 1PM on Sunday.  AUGUST: OSAGE COUNTY tells the dark, hilarious and deeply touching story of the strong-willed women of the Weston family, whose lives have diverged until a family crisis brings them back to the Midwest house they grew up in, and to the dysfunctional woman who raised them. Letts’ play made its Broadway debut in December 2007 after premiering at Chicago’s legendary Steppenwolf Theatre earlier that year. It continued with a successful international run. (c) Weinstein

INSIDE LLEWYN DAVIS

Screens @ 4:00 only every day.  INSIDE LLEWYN DAVIS follows a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles—some of them of his own making.

NEBRASKA

“Shot in beautiful tones of black and white (and silver and gray), Nebraska is steeped in nostalgia, regret and bittersweet moments. Yet it’s also a pitch-perfect cinematic poem about the times we live in.”  -CHICAGO SUN TIMES

After receiving a sweepstakes letter in the mail, a cantankerous father (Bruce Dern) thinks he’s struck it rich, and wrangles his son (Will Forte) into taking a road trip to claim the fortune. Shot in black and white across four states, Nebraska tells the stories of family life in the heartland of America.

LE WEEKEND

Screens @4:00PM ONLY every day.  Academy Award winner Jim Broadbent and Lindsay Duncan give exquisite performances as Nick and Meg, a long-married British couple revisiting Paris for the first time since their honeymoon in an attempt to rekindle their relationship. During a two-day escapade, diffident, wistful Nick and demanding, take-charge Meg careen from harmony to disharmony to resignation and back again as they take stock of half a lifetime of deep tenderness and even deeper regret. A surprise invitation from Nick’s old friend Morgan (Jeff Goldblum), an amusingly boorish American academic with a fancy Parisian address, soon leads them to an unexpectedly hopeful vision of what their love and marriage might still become. This bittersweet comedy drama is a new peak in the ongoing collaboration between screenwriter Hanif Kureishi and director Roger Michell, following VENUS, THE MOTHER and THE BUDDHA OF SUBURBIA.

DALLAS BUYERS CLUB

Screens at 4PM ONLY.  2013 Academy Award nominee for Best Picture, Best Actor, Best Supporting Actor, and three more nominations.   Matthew McConaughey stars in DALLAS BUYERS CLUB as real-life Texas cowboy Ron Woodroof, whose free-wheeling life was overturned in 1985 when he was diagnosed as HIV-positive and given 30 days to live. These were the early days of the AIDS epidemic, and the U.S. was divided over how to combat the virus. Ron, now shunned and ostracized by many of his old friends, and bereft of government-approved effective medicines, decided to take matters in his own hands, tracking down alternative treatments.

HER

Set in the Los Angeles of the slight future, Her follows Theodore Twombly, a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. [Warner Bros.]

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