BEGIN AGAIN

The latest film from writer-director John Carney (ONCE), BEGIN AGAIN is a soul-stirring comedy about what happens when lost souls meet and make beautiful music together. Gretta (Keira Knightley) and her long-time boyfriend Dave (Adam Levine) are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label. But the trappings of his new-found fame soon tempt Dave to stray, and a reeling, lovelorn Gretta is left on her own. Her world takes a turn for the better when Dan (Mark Ruffalo), a disgraced record-label exec, stumbles upon her performing on an East Village stage and is immediately captivated by her raw talent. From this chance encounter emerges an enchanting portrait of a mutually transformative collaboration, set to the soundtrack of a summer in New York City. BEGIN AGAIN is produced and financed by Exclusive Media and produced by Anthony Bregman, Tobin Armbrust and Judd Apatow.

THE DANCE OF REALITY

Arresting spectacle… Alejandro Jodorowsky’s first film for more than two decades is a triumphant return, which mixes autobiography, politics, torture and fantasy to exuberant moving effect – The Guardian.  Produced and directed by Alejandro Jodorowsky, THE DANCE OF REALITY is his first film in 23 years. The legendary filmmaker was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert where the film was shot. It was there that Jodorowsky underwent an unhappy and alienated childhood as part of an uprooted family. Blending his personal history with metaphor, mythology and poetry, THE DANCE OF REALITY reflects Jodorowsky’s philosophy that reality is not objective but rather a “dance” created by our own imaginations.

JODOROWSKY’S DUNE

 “Is Alejandro Jodorowsky’s “Dune” the most influential movie never made?” -Ty Burr, BOSTON GLOBE.  In 1975, Chilean director Alejandro Jodorowsky, whose films EL TOPO and THE HOLY MOUNTAIN launched and ultimately defined the midnight movie phenomenon, began work on his most ambitious project yet. Starring his own 12 year old son Brontis alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dali, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including HR Giger and Jean ‘Moebius’ Giraud, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. (c) Sony Classics

IDA

 “It haunted me. I can’t wait to see it again.” – A.O. Scott, The New York Times.  From acclaimed director Pawel Pawlikowski (Last Resort, My Summer of Love) comes Ida, a moving and intimate drama about a young novitiate nun in 1960s Poland who, on the verge of taking her vows, makes a shocking discovery about her past.

18-year old Anna (stunning newcomer Agata Trzebuchowska), a sheltered orphan raised in a convent, is preparing to become a nun when the Mother Superior insists she first visit her sole living relative. Naïve, innocent Anna soon finds herself in the presence of her aunt Wanda (Agata Kulesza), a worldly and cynical Communist Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism.

THE ROVER

THE ROVER, David Michod’s highly anticipated follow-up to ANIMAL KINGDOM, is set in a world 10 years following the collapse of society. The rule of the law has disintegrated and life is cheap. The film follows hardened loner Eric (Pearce) as he travels the desolate towns and roads of the outback. When a gang of thieves steals his car they leave behind a wounded Rey (Pattinson) in their wake. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that still matters to him. Michod also wrote the film based on a story he conceived with Joel Edgerton. (c) A24

OBVIOUS CHILD

For aspiring comedian Donna Stern, everyday life as a female twentysomething provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time. As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about adulthood isn’t facing it all on her own. It’s allowing herself to accept the support and love of others. Anchored by a breakout performance from Jenny Slate, OBVIOUS CHILD is a winning discovery, packed tight with raw, energetic comedy and moments of poignant human honesty.

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